Los imaginarios de los actores sociales del Pueblo Mágico de Ixtapan de la Sal, México

The symbolic production of a tourist place implies that the space has been appropriated and inter‑ vened upon by political economic agents to project images signs contribute reproduction social groups, but transforming relations experiences both for those who con‑ sume it live there at least on daily basis. Hence is important analyse compare subjective spatial world visions different intervening in tourism. To this end, we have used postmodernity as defined Harvey (1990), categories non‑place Augé (1992) “between‑place” tourism Castrogiovanni (2007) understand fragmentation residents contrasted with tourists.